Hamlet edition by William Shakespeare Literature Fiction eBooks
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The Tragedy of Hamlet, Prince of Denmark, often shortened to Hamlet (/ˈhæmlɨt/), is a tragedy written by William Shakespeare at an uncertain date between 1599 and 1602. Set in the Kingdom of Denmark, the play dramatises the revenge Prince Hamlet is instructed to exact on his uncle Claudius. Claudius had murdered his own brother, Hamlet's father King Hamlet, and subsequently seized the throne, marrying his deceased brother's widow, Hamlet's mother Gertrude.
Hamlet is Shakespeare's longest play and among the most powerful and influential tragedies in English literature, with a story capable of "seemingly endless retelling and adaptation by others."[1] The play seems to have been one of Shakespeare's most popular works during his lifetime[2] and still ranks among his most-performed, topping the performance list of the Royal Shakespeare Company and its predecessors in Stratford-upon-Avon since 1879.[3] It has inspired writers from Goethe and Dickens to Joyce and Murdoch, and has been described as "the world's most filmed story after Cinderella".[4]
The story of Hamlet ultimately derives from the legend of Amleth, preserved by 13th-century chronicler Saxo Grammaticus in his Gesta Danorum, as subsequently retold by 16th-century scholar François de Belleforest. Shakespeare may also have drawn on an earlier (hypothetical) Elizabethan play known today as the Ur-Hamlet, though some scholars believe he himself wrote the Ur-Hamlet, later revising it to create the version of Hamlet we now have. He almost certainly created the title role for Richard Burbage, the leading tragedian of Shakespeare's time.[5] In the 400 years since, the role has been performed by highly acclaimed actors from each successive age.
Three different early versions of the play are extant, the First Quarto (Q1, 1603), the Second Quarto (Q2, 1604), and the First Folio (F1, 1623). Each version includes lines, and even entire scenes, missing from the others. The play's structure and depth of characterisation have inspired much critical scrutiny. One such example is the centuries-old debate about Hamlet's hesitation to kill his uncle, which some see as merely a plot device to prolong the action, but which others argue is a dramatisation of the complex philosophical and ethical issues that surround cold-blooded murder, calculated revenge, and thwarted desire. More recently, psychoanalytic critics have examined Hamlet's unconscious desires, and feminist critics have re-evaluated and rehabilitated the often maligned characters of Ophelia and Gertrude.
Hamlet edition by William Shakespeare Literature Fiction eBooks
I am a college adjunct faculty English teacher and I wanted a simple edition with notes for my class to read in the fall. I was going to order 20 of these for the class, but I am so glad I first bought one for myself. The paper edition doesn't have any spaces between the speakers, either, so it is difficult to read, even if it were written in language my students, mostly college freshmen, could easily understand. They would give up on this edition. Also, there are absolutely NO NOTES for students that define and explain some of the more obscure vocabulary and written expressions. The text underneath this edition on Amazon did NOT say that there were no notes. It is not helpful AT ALL for a new reader of Shakespeare or a reader who only read it in high school unwillingly. I am going to order something else for my class.Product details
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Hamlet edition by William Shakespeare Literature Fiction eBooks Reviews
I did not want to see this movie for years after its release. I consider myself a purist where the Bard of Avon is concerned. I adored the films Henry V & Much Ado About Nothing, both directed and starring Kenneth Branaugh, Richard III starring and directed by Olivier. Period costumes, true to Shakespeare's lines, etc. I began to change when I realized (fairly early on in watching it) that 10 Things I Hate About You, was a delightful retelling of The Taming Of The Shrew. Eventually I watched this and found a gem. From the factions portrayed as rival gangs, to the outstanding delivery of the lines. The true crowning jewel is the over the top performance by the inimitable John Leguizamo. As Tibalt, John is amazing.
When I saw Romeo & Juliet in the theatre -- on its opening weekend -- after the film in the lobby I saw dozens of teenaged girls sobbing in each other's arms. I've never seen anything like that before or since. That alone marks the film as a masterpiece, and nothing any critic can say is relevant next to that emotional reaction. Those sobbing teenagers are absolute proof that any critic who panned this film is a fool.
Di'Caprio wasn't very famous at that point (though I believe he'd already been nominated for an oscar for an indy film). Later that night, I had dinner with friends and predicted that this boy would become the biggest star in Hollywood -- by tomorrow! I was off by a couple of years. Rare in film history has there been such a perfect casting -- Leonardo DiCaprio as Romeo. The mythical balcony scene is freshly designed and executed wonderfully, bringing the myth to life before our eyes. But the crowning glory and superpower of this film is the 'love at first sight' scene - ironic in that there are no words spoken (words being Shakespeare's superpower). It's all done with the eyes by the two young genius actors, combined with inspired camera work and the devastating vocal performance of Des'ree. This is one of the most beautiful, greatest, and most powerful scenes in cinematic history.
What is this emotion -- love at first sight? It might only happen two or three times in our entire lives. It isn't real love. So is it just trivial, adolescent silliness? I think it is much more than that -- and so did Shakespeare. What is our emotional relationship with our desires that can never be? We're haunted forever by the impossiblity of perfect love as much as we were ever thrilled by the fantasy of it. Baz Luhrmann's 'Romeo & Juliet' taps deeply into the impossible longings that never leave us. It is a masterpiece.
As an English teacher, teaching Shakespeare can be quite a challenge. For modern students, trying to connect the concepts, theme, and setting of Romeo and Juliet can be quite a challenge. Keeping them engaged in the struggle of Shakespearean language is even more so. This version of the play is accurate and most importantly, entertaining. We, as a class, will read a portion of the play and then I will show this film to help cement ideas, dialogue, and characters. The students love the film, laugh, and respond better to the play than without!
As noted by other reviewers, this edition provides but a fraction of what it promises. There are no annotations, no photographs — a historical impossibility of monumental absurdity — of the author, nor any of the other promised features. Beyond that, it does not even include a dramatis personnae, a hallowed standard for any dramatic work. Even the ratings provided by were for other Shakespeare plays. ... Is there no quality control for works published by ? This was such a sham that it makes me very leery about future purchases from , especially for editions with which I am not familiar.
I am a college adjunct faculty English teacher and I wanted a simple edition with notes for my class to read in the fall. I was going to order 20 of these for the class, but I am so glad I first bought one for myself. The paper edition doesn't have any spaces between the speakers, either, so it is difficult to read, even if it were written in language my students, mostly college freshmen, could easily understand. They would give up on this edition. Also, there are absolutely NO NOTES for students that define and explain some of the more obscure vocabulary and written expressions. The text underneath this edition on did NOT say that there were no notes. It is not helpful AT ALL for a new reader of Shakespeare or a reader who only read it in high school unwillingly. I am going to order something else for my class.
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